![]() The artwork and promos for the album feature images shot by fashion photographer Amarpaul Kalirai. The official cover art was revealed piece by piece in a 5-day online countdown, with an announcement the following day confirming the album's US release date and unveiling North American tour dates. ![]() Promotional material for the album was first shown in February when behind-the-scenes stills from the album's photo shoot were released on social media. On the contents of the album, she said it was "not going for shock, shock is easy", instead striving to create songs that "resonate with the now." Promotion and release Amos stated that she had needed to experiment and that the small team was liberating for this purpose. The album was recorded and mixed at Martian Engineering at Amos's home in Cornwall, with Amos and long-time engineers Mark Hawley (Amos's husband) and Marcel van Limbeek "working as a triangle". Having a teenage girl's perspective to consult was reportedly a large influence on the record, exposing Amos to a different outlook than her own. Amos' daughter appears as a duet partner in "Promise", about mother and daughter being there for each other. A wide range of topics are explored on the album, including the "other" America, ageing in "16 Shades of Blue", the thrill of danger in "Trouble's Lament", not letting go of childhood imagination in "Rose Dover", the 2013 NSA surveillance scandals in "Giant's Rolling Pin", and making peace with haunting memories and self-doubt in "Oysters". The album's title reflects the unapologetic women that refuse to apologize for their actions and beliefs. Through the visual artist's application of tone, shape, pattern and pigment, I not only begin to see, but I can honestly say I begin to hear. In one image, they can remind us of nature's power to enchant, as well as humankind's fruitless attempt to overpower her or simply second-guess her. I've always been inspired by visual artists of all mediums because, as with music, art is not a job you can go to and leave from, but it is something that defines who and what you are Visual artists shake up our brains and force us to look at everything, from objects we don't normally think twice about to people we might not have cared about. Unrepentant Geraldines is described as "an appreciative portrayal of the singer's experiences with visual art". Rosetti's woodcut illustration The Maids of Elfen-Mere (1855) was originally made for a poem by William Allingham. She described the album as different snapshots of her life and things she'd observed. ![]() Amos stated that she'd written the songs "in secret", enjoying the freedom of not working in a large group of musicians. It is described as returning to "her core identity as a creator of contemporary songs of exquisite beauty" with an album of "inspiring and personal music" that, "once more zeroes in on the writing of brightly melodic, deftly evocative chamber-pop." According to Amos, the songs on the album were a long time in the making, exploring different styles and subject matter. Feeling invigorated and with a fresh approach, Unrepentant Geraldines marks Amos's return to pop and alternative rock music. This led to her pursuing projects outside the pop/rock genre, including classical music and The Light Princess musical, as well as orchestral re-recordings of songs from her catalogue. While touring for her last mainstream release in 2009, Amos felt as if she had hit a block in her creative ability and needed to find a new way to make music. The album was supported by the Unrepentant Geraldines Tour, which ran from May through November of 2014 and featured Amos performing solo. The album's stripped-back arrangements and vocal performances attracted particular praise. Reviews were generally positive, with many finding the album to be one of Amos' strongest releases in years. ![]() The album reached number 7 in the US, becoming Amos' eighth top 10 album in her home country, and charted within the top twenty in eight other countries. Unrepentant Geraldines was critically and commercially successful. Lyrically, many songs were influenced by visual art both paintings and photography served as inspiration for the album's material. The album features a stripped-back, acoustic sound with many of the songs' arrangements consisting solely of Amos' vocals and piano. Recorded at her own Martian Engineering Studios, the album was self-produced and mixed by her husband Mark Hawley and Marcel van Limbeek. The album marks a return to pop and rock music after several releases in the classical genre. It was released on through Mercury Classics. Unrepentant Geraldines is the fourteenth studio album by American musician Tori Amos.
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