In a follow-up video, he looked distressed as he explained that he didn’t know just how out of hand the situation had gotten until after his performance: “My fans really mean the world to me, and I always just really want to leave them with a positive experience,” he said. In a statement posted to Twitter on Saturday, Scott said the event left him “absolutely devastated,” while his partner, Kylie Jenner, insisted that Scott wasn’t “aware of any fatalities until the news came out after the show and in no world would have continued filming or performing” if he had been. Every time he performs, people get excited.” Everywhere you were, people were pushing you. “People usually fall and you just pick people up,” he said. At this point, the Times reports, Scott waved away two members of his entourage, turning back to the audience with instructions to make “the ground shake.” In the frenzied stomping that ensued, a witness named Guillermo Garcia told the paper, it became nearly impossible to lift anyone out of harm’s way. (It was unclear if they could hear what the pair were saying.) Whether or not Scott would have been able to understand the scope of the tragedy unfolding below is hard to judge, though the concert reportedly went on for 40 minutes after the Times says he paused the music to make way for an ambulance around 9:30 p.m. Footage circulating on social media, however, show fans pleading with Scott, and also security, to stop the show: One viral video shows two concertgoers scaling scaffolding to escape the surge, shouting at technicians that people were dying. The Associated Press reports that the rapper stopped the concert at least once - the Houston Chronicle notes “multiple” pauses - attempting to get help for someone in the audience. It was too loud.”ĭisturbing videos show fans desperately telling Travis Scott to stop the show at Astroworld Festival. We have, like, piles of people.’ He could not hear us. “We were like, ‘People are passing out here. “We were trying to scream at and get his attention,” 18-year-old Afnan Hasan said, explaining that he and his friends had tried to pull fallen attendees off the ground so that they wouldn’t get trampled. Yet another witness, who spoke to the New York Times, recalled being forced close enough to the artist to lock eyes with him. Supposedly VIP ticket goers at #travisscott show were more concerned about themselves… /7slziQlWla- MoogieMonster87 November 8, 2021 Someone pulled me over a fence and I was sat in a chair, and then I passed out again.” On social media, others have described the attempt to hoist people to safety inside an apathetic VIP section that sounds, frankly, like it was populated by the Titanic lifeboat set. I didn’t see anything, but I could kind of feel what was going on. And then I was in and out for a little while. And then I just remember looking up and passing out. One person who was there told CNN the experience felt like “drowning in a pool of people.” Another, Madeline Eskins, said that “right when he started performing his first song, I looked at my boyfriend and said, ‘We have to get out of here.’ He said, ‘I can’t. But fans have described escalating tension in the pit as a countdown clock ticked closer to Scott’s entrance compounded by too many people enclosed in too small a space - and Houston fire chief Samuel Peña said that barricades meant to prevent surge caused “pinch points” where the injuries seemingly began. It’s presently unclear what triggered the stampede, though the Houston Police and Fire Departments are attempting to nail down the timeline in the course of a criminal investigation. Travis Scott’s performance at the festival drew some 50,000 fans, many of them young: One of the 25 patients hospitalized on Friday was 10 years old, while the nine people who died reportedly ranged from 14 to 27. In the three days since Houston’s Astroworld Festival, attendees who made it out have painted a harrowing picture of the atmosphere inside: hundreds of ticket holders sustaining injuries in a mosh pit raging out of control the pressure of the crowd crushing concertgoers into one another, leaving many choking and gasping for breath people screaming as the surge pulled them off their feet, trapped under the masses churning toward the stage.
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Yes, this humble editor takes a cue from GUI editors by telling the user exactly which key they need to press to perform a specific function. GNU nano takes a bold stance on terminal-based text editing: it provides a menu.One thing that sets it apart from other editors is its use of S-Lang, a C-like scripting language providing extensibility options to developers more comfortable with C than with Lisp. Another lightweight emacs editor, Jed is a simple incarnation of a macro-based workflow.It's easy to use, but if you're new to emacsen (the plural of emacs), Jove is also easy to learn, thanks to the teachjove command. If you like Emacs but find GNU Emacs too bloated, then you might like Jove.Once you start using Emacs, you might find it difficult to think of a reason to close it because it's just that versatile! It's great for sysadmins, developers, and everyday users alike, with loads of features and seemingly endless extensions. The original free emacs, and one of the first official applications of the GNU project that started the Free Software movement, GNU Emacs is a wildly popular text editor.As a special bonus, it features an implementation of the Clippy interface. It looks and feels a lot like Vi at first, but with its own unique style, both in design and function. Kakoune is a Vim-inspired application with a familiar, minimalistic interface, short keyboard shortcuts, and separate editing and insert modes.It takes practice (it even has its own tutor application, vimtutor.) Modern incarnations of Vi, most notably Vim, have added many features, including multiple levels of undo, better navigation while in insert mode, line folding, syntax highlighting, plugin support, and much more. The original Vi editor was an application written by Bill Joy, creator of the C shell. It's the quintessential Unix text editor, with its unique combination of editing modes and super-efficient single-key shortcuts.
JPEGmini says that the application required some adjustment of the compression to ensure artifacts would not be left behind and all edges in the frame remain sharp. “This is information that is imperceptible by humans, and there is no point in keeping information that we can’t see… But how do we identify such information, and remove it, while making sure all “essential” information is preserved? This is where the Beamr Quality Measure (BQM) comes into play.” “Basically, the way JPEGmini performs its ‘magic’ of reducing file size without affecting quality, is by removing perceptually redundant information from the image file,” the company explains. The technology being used to optimize video files in JPEGmini is the same as tools used by many large video streaming services to reduce the video storage and delivery costs, which the company says is designed to ensure a quality streaming experience that is still top-notch for the end-users. The company says that video optimization times will vary based on the size and duration of the video clips imported into the application. The current 3.3 version supports the optimization of h.264(AVC) MP4 and MOV files and users can expect up to a 50% file size reduction (30% on average, with peaks up to 80%), while quality and playability remaining the same as the original file, the same as the company says can be expected of JPEGs. The company says users can even grab entire folders of files with images and video files interspersed within them which the program can work through in a single batch process. Like everything else with JPEGmini, optimization of video begins with a simple drag-and-drop into the app. While the company acknowledges it still has a long way to go as far as customization and enhanced controls for the video optimization, JPEGmini says it is happy to release this version and says the team plans to add more advanced features for the user base over the coming months. Since the announcement of version 3 last year, the JPEGmini team says it has been working on now-free addition. JPEGmini has released Update 3.3 for the Image optimization app which brings a long-requested feature to the software: it can now reduce the size of video files. + Can be difficult to use if employees have dirty or wet hands Pros and cons of biometric clocking in machines: However, biometric clocking in machines can be expensive, and they can also be difficult to use if your employees have dirty or wet hands. They can be used to record the time and date of attendance, as well as the employee’s name or ID number. This is the most secure type of attendance machine, as it is virtually impossible to forge a fingerprint or iris. There are many different types of clocking in machines available on the market, but which one is right for your business? Biometric clocking in machines (fingerprint or iris)īiometric clocking in machines use fingerprint or iris scanning technology to identify employees. Clocking in machines for small business – options compared This can be useful for security purposes, or if you need to keep track of staff movements for legal reasons.įinally, attendance machines can help to improve productivity by ensuring that employees are not late or early for their shifts. It can also be used to monitor employee attendance, and to track staff movements in and out of the workplace. Firstly, it can help to ensure that employees are paid for the hours they have worked. There are several reasons that a business should use a clocking in machine. Why should a business use a clocking in machine? It is important to make sure that employees are aware of the clocking in procedure and how it works, so that there are no misunderstandings. Some employees may find having to clock in and out of work annoying, but most see it as a necessary part of their job. Do employees mind having to clock in and out? Some machines also allow employees to clock in via a smartphone app. How do employees clock in?Įmployees usually clock in by scanning their ID card or badge, or by typing in their employee number. For example, biometric machines use fingerprint recognition to identify employees, while proximity machines use radio frequency identification (RFID) tags to track employees’ movements. How do clocking in machines work?ĭifferent types of clocking in machines work in different ways. This machine records the employee’s time and date of arrival and departure, which can then be used to calculate their hours worked (and therefore help with running payroll). How to use clocking in machines to calculate payrollĪ clocking in machine is a device that employees use to clock in and out of work.How to set up a clocking in system, detailed step-by-step guide.Cost of clocking in attendance machines.
But Hähnel does not only supply triggers also camera batteries, charging stations and battery grips are part of its wide and deep range of products. Hähnel provides those triggers! Quality, reliability and innovation are paramount, so you can always rely on your equipment when you're working anywhere. Whether you are working in the studio or outdoors, a wireless remote control or trigger is an extremely useful part of a professional photographer's equipment, as well as that of amateur photographers. Ideal for capturing shy animals, for example, or for creative photography such as drop photography or capturing a bursting balloon. This turns the system into a trigger trap that lets you relax your camera when the module detects movement, sound or light changes. If you want even more possibilities, you can expand the Captur system with the Pro Module, which has a built-in motion, sound and light sensor. For example, you can make time lapses, or work with slow shutter speeds for creative photos. Wireless Remote Shutter Release Take your best shots with the versatile Combi TF. This allows you to set intervals, repetitions and delays. Hahnel Combi TF Remote Control & Flash Trigger Capture the perfect shot and manage a wireless studio environment with the Combi TF - a wireless remote shutter release and remote flash trigger. When the camera fires, your flash fires too! Moreover, you can expand the set with multiple receivers to control multiple flashes simultaneously! So you can start with strobist photography and expand your set later.ĭo you want to work a little more professional, then the system can be expanded with the Timer module. Instead of controlling your camera, you can also use the Hähnel Captur to control your flash from your camera by attaching the receiver under your flash and putting the transmitter on the hotshoe of your camera. There are different cables for each camera brand. The Captur system works wirelessly via Digital Channel Matching up to a distance of 100 meters! To connect the receiver to your camera, cables are included. Also functions such as bulb mode and continuous shooting can be used. The distinction here between different camera remotes is that Hahnel’s Captur involves a AA battery powered interval timer module, as great as any receiver for positioning on your camera. You can focus with autofocus and relax your camera remotely. You could use Hahnel’s Captur as a traditional-camera remote, though it also increases as a powerful tool for taking time lapses. When you connect the Hähnel Captur Receiver to your camera, you can use the transmitter to control your camera remotely. Hahnel Captur Module Pro Captures Time Lapse Photography, High Speed Photography, Motion & Wildlife Photography Four built-in sensors (light, sound, Laser&. Simple wireless remote control for your camera The Captur also works with foreign brand flash units from the likes of Metz, Sigma and Nissin. The Hähnel Captur trigger is capable of wirelessly controlling most original flash units and cameras. Combining two products in one - a wireless remote shutter release and a remote flash trigger, the Hahnel Capture is the solution that will take your. With the Hähnel Captur remote controls and triggers you can not only remotely relax your camera, but also control your flash(es). Hähnel Captur Transmitter Receiver Set wireless flash control and remote control Password * Toon Hide Forgot your password? Nevertheless, I think one can see what is behind the distinction. Indeed, in the Shorter Oxford English Dictionary one of the definitions of "effect" is given as "consequence". In some cases that may be a rather difficult distinction to draw. It will be noted that a distinction is to be drawn between the effect of a transaction and the consequences of a transaction. (3) For the purposes of this section, “country” includes any part of the Commonwealth, as well as a foreign country. (2) All the provisions of this Act relating to legitimated persons and to the taking of interests in property by or in succession to a legitimated person and the spouse, children and remoter issue of a legitimated person shall apply in the case of a person recognised as having been legitimated under this section, or who would, had he survived the marriage of his parents, have been so recognised and accordingly this Act shall have effect as if references therein to a legitimated person included a person so recognised as having been legitimated. (1) Where the parents of an illegitimate person marry or have married one another, whether before, on or after and the father of the illegitimate person was or is, at the time of the marriage, domiciled in a country other than Singapore, by the law of which the illegitimate person became legitimated by virtue of the subsequent marriage, that person, if living, shall within Singapore be recognised as having been so legitimated from or from the date of the marriage, whichever last happens, notwithstanding that his father was not at the time of the birth of that person domiciled in a country in which legitimation by subsequent marriage was permitted by law. Provisions as to legitimation by extraneous lawĩ. (3) This section applies only if and so far as a contrary intention is not expressed in the disposition, and shall have effect subject to the terms of the disposition and to the provisions therein contained. (2) Where the right to any property depends on the relative seniority of the children of any person, and those children include one or more legitimated persons, the legitimated person or persons shall rank as if he or they had been born on the day when he or they became legitimated by virtue of this Act, and if more than one such legitimated person became legitimated at the same time they shall rank as between themselves in order of seniority. In the like manner as if the legitimated person had been born legitimate. Under any disposition coming into operation after the date of legitimation, In the estate of an intestate dying after the date of legitimation (1) Subject to the provisions of this Act a legitimated person and his spouse, children or remoter issue shall be entitled to take any interest - ( a) Rights of legitimated persons to take interests in propertyĥ. (8) The Family Justice Rules Committee constituted under section 46(1) of the Family Justice Act 2014 may make Family Justice Rules for carrying the provisions of this section into effect. (7) No proceedings to be had under this section shall affect any final judgement or decree already pronounced or made by any court of competent jurisdiction. Unless that person has been cited or made a party to the proceedings or is the heir at law, next of kin, or other real or personal representative of, or derives title under or through, a person so cited or made a party. If it is subsequently proved to have been obtained by fraud or collusion or (6) The decree of the court shall not in any case prejudice any person - ( a) (5) Where any application is made under this section to the court, the person or persons, if any, besides the Attorney-General as the court thinks fit shall, subject to the rules made under this section, be cited to the proceedings or otherwise summoned in such manner as the court directs, and may be permitted to become parties to the proceedings, and oppose the application. … They would come for the Betty Boop cartoon.” “She’s a big hit,” says Katia Perea, a cartoon scholar at City University New York, “and she’s a big hit in the same way that Felix the Cat is a big hit, where she was drawing audiences to the movie. The 1933 Betty Boop cartoon Snow-White (not to be confused with Disney’s film Snow White and the Seven Dwarfs (1937)) was selected for preservation by the U.S.At a time when cartoons were largely opening acts before a featured movie, Betty’s stardom was an outlier. The 1980s rapper Betty Boo (whose voice, image and name were influenced by the cartoon character) rose to popularity in the UK largely due to the “Betty Boop” revival. With references appearing in the comic strip Doonesbury, where the character B.D.’s busty girlfriend/wife is named “Boopsie” and the animated reality TV spoof Drawn Together, where Betty is the inspiration for Toot Braunstein, the Betty Boop image continues to be used. In “The Magic Behind the Voices: A Who’s Who of Cartoon Voice Actors,” authors Tim Lawson and Alisa Persons agreed that Kane had made the phrase famous in her song “I Wanna Be Loved By You,” but there were several other women who voiced the Boop character, including Mae Questel, who was actually imitating Kane’s voice.ħ Proven Ways to Cure an Upset Stomach According to the New York Daily News, “When Walton produced a sound film featuring Baby Ester practicing in her Baby voice and “scatting” as proof, Kane, at the height of her career, was exposed as a fraud and lost the case.”Ĭharles Solomon, author of “The History of Animation,” summed up the case and the reason Kane lost, saying, “The Fleischers won the case by proving that a black entertainer named Baby Esther had previously used the phrase before either Kane or Questel.”īetty Boop’s popularity continues to grow in today’s culture. When Walton produced a sound film featuring Baby Esther practicing in her baby voice and “scatting” as proof, Kane, at the height of her career, was exposed as a fraud and lost the case. He added that he saw Baby Esther’s acts with Kane before the white singer started her “booping.” Walton said he taught Esther how to merge the scat lyrics “boo-boo-boo” and “doo-doo-doo,” and use them in her uptown performances. READ: Cree Summer: The Woman with 1,000 Voicesīefore a judge in state Supreme Court in Manhattan, the defense called Jones’ manager, Lou Walton, to testify. Ironically, Kane claimed that Betty Boop was imitating and profiting off of her image. Kane never publicly admitted to appropriating Esther’s singing style, but the truth was revealed when Kane filed a lawsuit against Max Fleischer, the animator who created Betty Boop in 1930. In March 2009, a UK newspaper voted Betty Boop the second sexiest cartoon character of all time, with Jessica Rabbit from the movie, “Who Framed Roger Rabbit?” in first place. In 2004, Betty Boop was voted among the “100 Greatest Cartoons” in a poll conducted by a British television station, ranking at #96. In 2002, Betty was voted in TV Guide’s 50 greatest cartoon characters of all time, ranking #17. Years later, a number of the color cartoons were compiled that featured Boop, entitled Betty Boop for President, to connect with the 1976 election. Boop’s film career saw a revival with the release of The Betty Boop Scandals of 1974, becoming a part of the post-1960s counterculture. As new color cartoons made specifically for television began to appear in the 1960s, the original black-and-white cartoons were retired. The original Betty Boop cartoons were made in black-and-white. But if you grew up watching old cartoons in the 70’s and 80’s the name and cartoon Betty Boop might ring a bell. Esther Jones might not be a name that you recognize. Treasures that provide Block are typically pretty good. Reduce Power is great (against multi-attackers). Get things that scale with enemy strength: Protection is great. Straight Block cards (if you aren't Sorocco) are pretty weak in this game so you need to find some other ways to provide defense. Again, you have to be creative but there are a lot of options. I often have multiple Health Potions leftover going into Act II.īy the end of Act II you should have an idea of what your end-game synergy and scaling will be. I've found that the possibilities are wide open. Something like putting the Boomerang Gem on Rain of Fish (the card that increases the number of attacks each time it's drawn), or a +Damage gem on Thousand Cuts / Frenzy. Since your deck is small in this Act, spend your gold to beef up one card that will carry you through it, and be creative. The elites and bosses are all kill-or-be-killed and you'll lose less health if the fights are short. Like you said, everything is expensive and you need to be able to buy stuff. Don't underestimate the +Gold talents either. Fugaro's Hat is one of the best treasures in the game (but I'm not sure if I'd spend 400g on it.). Events are very strong and of course hitting Orbs of Faeria is mandatory. Don't touch Runes of Sight until you've revealed the towers or have no other choice. Try to reveal at least 12+ hexes with each brush use, but it's also better to use it to access a patch of stuff you know is there vs. This lets you use them more efficiently to reveal as much of the map as possible. I actually don't pick up Health Potions until I need them so that I can have a full inventory of inks. I've won Ep15 several times with multiple combinations of heroes. I'd also like to hear what sort of things you'd actually do with OSC, which can't be done with MIDI?Īnd again, I want to mention this is all very early discussion about a feature that might be implemented eventually, but highly unlikely to happen within the next few months. Presumably that's enough? There will be some sort of limit, but what is a useful threshold? I want to consider how this stuff is actually going to work for any USB-ethernet OSC option.Īnother question involves maximum packet size? I've looked at a few Arduino OSC implementations which limit the message size to only a couple hundred bytes. Sure, it's possible to make things work in lots of ways by manually editing network numbers and routing rules on your computer, but that's a difficult and error-prone process (and the reason protocols like DHCP and DNS exit). While a lot of this stuff is normal IP networking setup, I feel it's important to make a system that's easy to use. Would it be on the same computer, or would the computer need to route packets to deliver your OSC messages elsewhere? Or would you need your OSC project to embed the name or IP number of some other OSC entity. This actually leads to all sorts of questions.ĭo you see OSC applications on Teensy 3.0 listening for messages, where the sender needs to know the name or IP number of the Teensy 3.0? Would the sender be on the same computer where the USB cable is plugged in, or somewhere else on the network. I believe all 3 operating systems will default to looking for a DHCP server, so if the OSC implementation responds to DHCP queries it should be able to set this stuff up, right? If it implements a response-only nameservice, it could give itself a name which could be used, but probably only on that computer. How the IP number, netmask & gateway are assigned is a big question. Lower level stuff like ARP, ICMP and maybe DHCP are probably needed, adding to the complexity a bit. Fortunately, OSC uses only UDP protocol, which makes this doable, since all the complexity of TCP isn't needed. My thoughts on OSC so far are implementing a limited USB Ethernet interface. That's where I really need your input and help. I've also read about OSC and exchanged several emails with Adrian Freed, but still my knowledge and experience about how people actually use Open Sound Control for real musical projects is rather limited. Well, there was one project where I used KineticSpace to control a pyrotechnic fire art installation, but I just wrote a program in C that listened for UDP packets (on the same machine, 127.0.0.1) and parsed the text for a couple specific numbers. When/if a test version is ever made, preliminary info or invitations to beta test will be posted here.įirst, I must confess I have never really used OSC. If you're interested in OSC on Teens圓, please subscribe to this thread. This thread is intended to discuss how USB-based OSC might (eventually) work. I am considering someday (perhaps in the distant future) adding a Teensy 3.0 Tools > USB Type option for OSC. |
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